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  1.  53
    What Are Dual Process Models? Implications for Cultural Analysis in Sociology.Michael Wood, Justin Van Ness, Marshall A. Taylor, Dustin S. Stoltz, Brandon Sepulvado, Robert Mowry & Omar Lizardo - 2016 - Sociological Theory 34 (4):287-310.
    In this paper we introduce the idea of the dual process framework (DPF), an interdisciplinary approach to the study of learning, memory, thinking, and action. Departing from the successful reception of Vaisey (2009), we suggest that intradisciplinary debates in sociology regarding the merits of “dual process” formulations can benefit from a better understanding of the theoretical foundations of these models in cognitive and social psychology. We argue that the key is to distinguish the general DPF from more specific applications to (...)
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  2.  88
    The role of agency in sociocultural evolution.Seth Abrutyn & Justin Van Ness - 2015 - Thesis Eleven 127 (1):52-77.
    Inspired by Weber’s charismatic carrier groups, Eisenstadt coined the term institutional entrepreneur to capture the rare but epochal collective capable of reorienting a group’s value-orientations and transferring charisma, while making them an evolutionary force of structural and cultural change. As a corrective to Parsons’ abstract, ‘top-down’ theory of change, Eisenstadt’s theory provided historical context and agency to moments in which societies experienced qualitative transformation. The concept has become central to new institutionalism, neo-functionalism, and evolutionary-institutionalism. Drawing from the former two, a (...)
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  3.  29
    Schemas and Frames.Marshall A. Taylor, Justin Van Ness, Dustin S. Stoltz & Michael Lee Wood - 2018 - Sociological Theory 36 (3):244-261.
    A perennial concern in frame analysis is explaining how frames structure perception and persuade audiences. In this article, we suggest that the distinction between personal culture and public culture offers a productive way forward. We propose an approach centered on an analytic contrast between schemas, which we define as a form of personal culture, and frames, which we define as a form of public culture. We develop an “evocation model” of the structure and function of frames. In the model, frames (...)
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